The conspiracy theory of Disneyland
The monotheistic desert is a passageway through which the Earth’s ultimate blasphemy with the Outside smuggles itself in and begins to unfold. The apocalyptic desert is a field through which the Tellurian dynamics of the Earth can be ingrained within anthropomorphic belief systems. In which case, there is no worse blasphemy than ‘Thy Kingdom come.’
Reza Negarestani, Cyclonopedia
In my last days in California, I went to Disneyland. What I found there troubled and fascinated me. After my return the same images kept on flashing through my mind: the running children, the laughing children, the children bellowing in fury as their parents dragged them through the exit, the omnipresent insistence on happiness, the cold blank faces of the animatronic puppets, the bloodshot eyes of the actresses playing the various princesses. A lot of it had been unproblematic fun: the rollercoasters, the shooting ranges, the meticulous detailing – but there was something pervasively sinister about the park. Mr Toad’s Wild Ride ended implausibly with a descent into Hell, where he presumably now suffers for eternity. The robotic vultures in Splash Mountain cackled over my impending death. The ‘happiest cruise that ever sailed’ seemed intent on slowly driving me insane with each repetition of its shrieking refrain. I had to find an explanation for what I had seen. I started to read up on the place.
There was plenty to read: so much has been said about Disneyland. The lingering racism of Adventureland has been thoroughly picked apart, the progression of Tomorrowland from naive liberal utopianism to ironic steampunk to brushed-aluminium iFuturism has been exhaustively documented, the strangely totalitarian way in which the Haunted Mansion’s automated cars ensure a uniformity of experience for all visitors has been subject to an excess of theorisation. Everyone already knows that if you stand to one side of the statue of Walt and Mickey on Main Street USA, Mickey’s snout looks like Walt’s erect penis. Baudrillard was fascinated by the place, devoting much of America to a meditation on it. Eco famously compared a cruise down the Mississippi unfavourably to its imitation in Frontierland. But in my research, I found myself heading down entirely unexpected routes.
The theorists of Disneyland all make the same category error: they all approach Disneyland and its projected reality as an intrinsically modern – or indeed postmodern – phenomenon. They’re wrong. Walking into the park, a sign informs you that ‘here you leave today and enter the world of yesterday, tomorrow and fantasy.’ The sign is more accurate than most visitors realise. When you go through the gates of Disneyland you enter the bowels of something sublimely ancient, something whose avaricious fantasies have shaped the nature of our world for centuries, something grasping to claim our future.
The notes that follow are the result of weeks of frenzied research. The employees at the British Library know me well by now: I’m always already there when they open in the morning, pacing up and down in front of the building in the chilly dawn light, taking quick nervous drags from a cigarette. I’ve been growing steadily more neurotic. The sound of helicopters has me slamming down windows and pulling curtains. My hands shake uncontrollably, even as I type. Still, I feel I have to share what I have learned. I’ve tried to present my findings as objectively and as comprehensively as possible, but it’s not always easy to maintain an academic tone when under such stress. This is the true story of Disneyland.
The Cult of Penew-Nekhet: an overview
The story of Disneyland begins in ancient Egypt, with the Cult of Penew-Nekhet, or the All-conquering Mouse. While animal cults such as that of Apis the bull at Heliopolis date back six thousand years to the predynastic period, that of Penew-Nekhet appears to be comparatively recent. While it may have been operating clandestinely for some time beforehand, its existence is first documented during the reign of Amenemhat II around 1923 BCE. In contrast to other Egyptian animal religions, the Cult was not demotic in character: public ceremonies were rare, with carvings attesting to only one: a monument to Sobekneferu at Gezer records among her few achievements during her three-year reign the ‘inauguration of the games of the Mouse.’ Instead its practitioners were drawn almost entirely from the aristocratic nomarch-class, with rites performed in secret in their provincial estates. The Cult was also unique in that the archaeological record gives no indication that ritual burials and mummification of mice ever took place: rather, Cultists would adorn the inside of their houses with imagery of mice shown enjoying positions of luxury, often being waited on by cats, as in the ostrakon above. That no mouse-related imagery has been found on the outside of palaces or funerary complexes attests to the shifting nature of the relationship between the nomes and Pharaonic power during the Middle Kingdom: at times the Cult was tolerated or endorsed, as was the case under Sobekneferu; at times it was suppressed – whatever the political situation, its practitioners did their utmost to conceal their secret religion.
The unique character of the mouse-cult can to some extent be explained by the unique character of the mouse in Egyptian thought of the time. In the ancient Egyptian language, the word penew was always singular. Records do not describe an arov penewt, or plague of mice, but always an arov penew, a plague of mouse. Mice were conceived of as a single substance; like flies or worms, they were presumed to emerge from spontaneous generation, with the murine principle of Penew-Nekhet directing their abiogenesis. This is why members of the Cult continued to keep cats and lay traps for mice, while in other cults the killing of the sacred animal was taboo: the object of their worship was not the individual mouse but mouse in the abstract. Mice, which caused famine by eating grain in warehouses, were commonly recognised as a symbol of death, while with their subterranean burrows they were thought to have a privileged connection with the Underworld. The Cult of Penew-Nekhet could therefore be considered as an incipient Satanism in an era preceding such Manichaean moral divisions: the image of the cat waiting on the mouse indicates a total reversal of the accepted moral order. The focus on imagery and representation over the Real is also significant: in such images the seed of Disneyland’s spectacle can be seen.
It is not known exactly when the Cult of Penew-Nekhet spread to Greece, but it was well known by Homer’s time. In the Iliad he describes Chryses as being among its numbers:
Now Chryses had come to the ships of the Achaeans to free his daughter, and had brought with him a great ransom: moreover he bore in his hand a sceptre crowned with the symbol of the mouse and he besought the Achaeans, but most of all the two sons of Atreus, who were their chiefs, and who too were worshippers of his cult. “Sons of Atreus,” he cried, “may the gods who dwell in Olympus grant you to sack the city of Priam, and to reach your homes in safety; but free my daughter, and accept a ransom for her, in reverence to Apollo, son of Zeus, and to the image of the Mouse, before which we prostrate ourselves as one.”
While the secrecy of the Egyptian cult and the lack of any records concerning its rituals make it hard to ascertain to what extent the Greek manifestation was continuous with it, the same themes (inversion of morality, adoration of images and representations, the chthonic) are present in accounts of Penew-Nekhet rites. As in Egypt, worshippers of the Cult were drawn from the aristocracy, and it intermittently stood as a vehicle of aristocratic class solidarity against monarchical power. Unlike the contemporaneous Bacchanalian mysteries, practitioners were uniformly male, and there was no element of eroticism. In one fragment from Herodotus, a ritual in Epheseus is described:
The supplicants, wearing the crowns and masks of a king, then threw themselves to the ground before the statue of the mouse, and wailed, “O destroyer, O bringer of famine, may your desolation stretch across the world!” As their wailing grew louder it was joined by the beat of a drum and the sounding of a salpinx [trumpet]. At this point two slaves put the torch to the pyramid of grain that had been built on a stone altar in the centre of the circle and it leaped instantly into flame. The initiates then gathered around the fire, but did not dance to the drum. Instead they cried bitterly, pulling at their hair and clothes, and lamenting the loss of their grain. When I asked why, I was told, “We are rich men, and we have no lack of grain; but during the rite it is as if we are peasants, and our sorrow is real. This sorrow is felt by Nikheis Pondiki [Penew-Nekhet] and by the Earth, and we gain many great powers.”
References to the Cult during later antiquity are patchy. The early Christians were aware of it: the apocryphal Gospel of Munimius cautions ‘Therefore be not as the hypocrites, who make sacrifices for the eyes of the crowd, nor as the rich men, who in their mansions bow in unison before the Mouse, but worship alone according to the guidance of the Holy Spirit and not the flesh.‘ It is known that the emperor Elegabalus had the town of Croceae razed to the ground and its inhabitants slaughtered in 218 CE after he applied to join the Cult there and was rejected.
This antipathy between the Cult and Christianity, and the far more established enmity between the aristocratic Cultists and Pharaonic and royal power, melted away with the Donation of Constantine. The first Christian Emperor was drawn from a respectable lineage of Cultists – his grandfather Eutropius was an Illyrian nobleman who, as the Historia Augusta describes, ‘Held in his villa secret gatherings of the gentry, for which the city of Sminthium [city of the mouse] in Moesia Superior, which he founded, was named.‘ Indeed, in some depictions of the conversion of Constantine to Christianity before the Battle of the Milvian Bridge, such as the one shown above (which is now housed in the Vatican’s private collections), the sign appearing in the sky is not that of the cross, but the trinod, or thrice-weaved circle, of the Cult of Nikheis Pondiki/Penew-Nekhet. As many modern historians have concluded, Constantine was in all likelihood not a genuine adherent to Christianity, but one who saw in this supposedly subversive new faith the potential to build a more unified empire. However, doing so would require the neutralisation of much of extant Christianity. Following from his incorporation of the Christian faith and Imperial power with the Council of Nicaea, Constantine instigated the removal of Arians and other Eastern heretics from the Church hierarchy, replacing them with trusted members of the Cult. Christianity proved a far more amenable vessel than chaotic paganism for the furthering of the Cult’s secret plans: institutional Christianity quickly set about suppressing the unbridled, sexualised Dionysian cults, declaring them as Satanic; meanwhile the properly Diabolic mouse-cult was embraced as a means of control.
The period from 325 CE coincides with a spate of church-building across the Roman Empire. New churches appeared in every major city, often built using Imperial funds and government-approved architects. Their design differs markedly from that of previous churches. During the period in which Christianity was persecuted, churches were informal, with prayer being carried out in private homes marked with the symbol of the fish or the Chi Rho. Services were held in the colonnaded atrium, and prayer rites were conducted without a cantor or leader; much of the prayer was silent. While the new, public basilicae featured a nod to earlier forms in the cloister, a walled garden at one end of the building reserved for use by the clergy, the church itself was dominated by the bema, a raised platform in the centre of the transept from which priests could direct their congregation. Liturgy became highly contrived, with themes of sin, worthlessness and abjection predominating. The burning of grain was replaced by a similar ritual, in which a wafer is consumed by congregants; as in the rite described by Herodotus, food is imparted with symbolic-representative value before being destroyed. This revolution in church architecture signals the first major shift in the development of Disneyland since ancient Egypt: the ceremonies of the Cult of Penew-Nekhet were no longer private, voluntary rites conducted by the elite. Instead, they took on elaborate disguises; large populations were made to participate in them without their knowledge.
The power of the Cult-Church complex was struck a harsh blow by the collapse of the Western Roman Empire. The Arian heresy, banished from the Empire in 325, was upheld by the barbarian rulers that had come to dominate Europe. Under Ostrogoth rule the Papacy continued to function, but without its large network of churches the potency of its rites appears to have waned. Scattered, terrified, and wretched, the Cultists fell back on earlier practices: in the 5th Century, for the first time since the reign of Constantine, private Penew-Nekhet ceremonies reappeared in the homes of the Senatorial class. With the conversion of the Franks to Catholicism the Cult finally began the drive to reclaim its former monarchial power; however this would not reach its goal for several centuries, with the surprise coronation of Charlemagne as Holy Roman Emperor by Pope Leo III in 800 CE. Once again, royal and ecclesiastical authority were unified through the matrix of the Cult of Penew-Nekhet. A suppressed variant of Einhard’s Vita Karoli Magni, unearthed by a Franco-American archaeological team at the Palace of Aachen in 1998, records Charlemagne’s induction into the Cult:
On the most holy day of the birth of our Lord, the king went to mass at St. Peter’s, and as he knelt in prayer before the altar Pope Leo set without warning a crown upon his head, while all the Roman populace cried aloud, ” Long life and victory to the mighty Charles, the great and pacific Emperor of the Romans, crowned of God! ” After he had been thus acclaimed, the pope did homage to him, as had been the custom with the early rulers. At first the king was displeased that Pope Leo should give to himself a power over that of the Augustus, and swore his regret that he had come to his [the Pope’s] aid. However, the next day, the king was called to a second ceremony in the crypts of Rome, whereafter he emerged in a good temper. On his return to Aachen the king then instructed his jewellers that the ears of the Mouse, woven from gold and studded with emeralds, be fixed to his Imperial crown, and sent out inspectors to the churches of his realm to ensure that prayers were conducted in the proper manner as ordained by almighty God.
The history of the Cult through the later Middle Ages is one of degeneration. With the increasing wealth of the Church and European monarchies, the rites of Penew-Nekhet dissolved into empty ritual and spectacle, often focused around orgies and spectacular consumption or destruction of expensive food, lacking the crucial aspects that gave power to the Egyptian and Greek Cultists. Church services based on the old secret grain-burning rites still took place but without a high level of orchestration they lost their value; meanwhile in their private lives the wealthy Cultists tended towards debauched Dionysianism rather than the contrived hyperreality of the early rituals. There were several movements by diehard Cultists to resurrect the true Cult: during the Avignon antipapacy there was a sudden explosion in the use of mice as architectural motifs, such as in the relief on the Palais des Papes shown above. However, the Cult was not fully restored until the 16th Century, with the intervention of Martin Luther.
That Luther was a member of the mouse-cult is incontrovertible. Born into a bourgeois family in 1483, Luther was pressed from an early age into a career in law, one which he found spiritually stifling. In desperate search of the certainty of faith, in 1505 he abandoned his studies and joined the Augustinian friary in Erfurt, under the tutelage of theologian and Cultist Johann von Staupitz.
Seeing the young man’s fierce intelligence, devotion to the Church and hunger for truth, von Staupitz inducted Luther into the Cult of Penew-Nekhet, most probably around 1506. It was in that year, according to Luther’s brother in the Augustinian friary Josef Endelstinus, that the young man began ‘making unexplained absences in the night, wherein he would leave his cell and thunder absent subtlety to the catacombs. There, strange drums could be heard, and among some brothers it was said that they could hear the voices of women, and a chanted prayer unlike any in the liturgy-book.‘ However, what Martin Luther did next was unexpected: rather than being seduced by the earthly pleasures afforded to him by his membership in the Cult, he became fascinated by its long history and the occult powers believed to be bestowed upon its adherents. Endelstinus later wrote that Luther convinced the friar to arrange for a manuscript of Manetho’s Aegyptiaca to be purchased at great expense by the monastery, a copy which he guarded jealously. Eventually, Luther came to the conclusion that the Cult’s degeneration was unacceptable. Rather than reforming it from the inside, he hatched a plan to overthrow it and start again, one that eventually manifested itself as the Protestant Reformation.
While Luther’s early opposition to the selling of indulgences to finance church construction at first appears to undermine the Cult’s programme of church-building, it must be remembered that the churches were by his time entirely non-functional as ritual spaces. The same goes for his frequent assertions that his enemies were part of a sinister, Satanic cult. It is notable that in his many diatribes against the Pope, Luther accused him of every imaginary Dionysian excess imaginable (depicting him as the Whore of Babylon in the woodcut below), yet remained curiously silent on the fact that Clement VII was part of a secretive mouse-worshipping sect. It was not this that aggravated him, it was the degeneration of that sect into a vehicle for mere degeneracy.
In addition to his prodigious work-rate in the production of pamphlets for general consumption, Luther also wrote secret manuals for confidants in his Reformed Cult of Penew-Nekhet. There are many texts purporting to be among this number, many of which are most likely Catholic forgeries. However, one genuine fragment has been found, a palimpsest from among many scraps of waste parchment unearthed at Wartsburg Castle:
We tell them that all men must be able to read the Bible themselves only so that they will believe with ever more vigour that what we tell them is their own belief. It is so much easier to redirect the prayer of one who thinks himself to be acting of his own accord than one who is reading from rote!
Luther’s ultimate project was to once again fuse royal and ecclesiastical power through the Cult: his brand of Protestantism lacked any of the egalitarianism of his contemporaries. When the lower classes of Germany rose up against their landlords in the Revolt of 1524-1526, partly inspired by a misinterpretation of his ideas, he quickly penned Against the Murderous, Thieving Hordes of Peasants, in which he advised secular rulers to ‘kill as many of the blasphemers as is possible.’ In this he was entirely successful: when the smoke of the Reformation had cleared and the scores of bodies it had produced had been buried, Europe was full of Protestant princes eager to take the advice of Lutheran priests.
Having acquired a new, Protestant disguise, the Cult of Penew-Nekhet began to infiltrate as many organisations as possible: trade guilds, Freemasonry, the Illuminati, the newly formed United States government, the institutions of the French revolution, among others. Through these hosts it attempted to wipe out the temporal authority of its former, corrupted home, the Catholic Church, leaving the road clear for the new, invigorated Cult to dominate the world. Eventually, the Church was weakened to the extent that it became susceptible to re-infiltration: although the Cult never again controlled the Papacy, the Society of Jesus was eventually drawn into its influence. With the rise of the public sphere (and despite the Cult’s dominance in the media) secrecy became paramount; it is likely that at any one time there were no more than five hundred people alive who knew of the Cult’s true nature. A few of them can be confidently identified: Viscount Francis Bacon, Oliver Cromwell, Benjamin Franklin, Napoleon (whose coronation deliberately mirrored that of Charlemange), Benjamin Disraeli, the Rothschilds, Rockefeller, Mussolini, Rudolf Hess. Always seeking mass participation in its disguised rituals, prominent Cultists covertly engineered spectacles including the French revolutionary Terror and the Black Hole of Calcutta. The culmination of this new, murderous form of ritual was the First World War. The conflict was deliberately engineered by Cultists including Helmuth von Moltke, Leopold Berchtold and Dragutin Dimitrijević as an elaborately orchestrated pan-European rite of death and suffering. However, during its course something went disastrously wrong. The war, which was meant to be fought to an eternal stalemate, instead sparked a series of unplanned revolutions across the continent, starting with Russia in 1917. This was then followed by a second, yet more ruinous war from 1939, in which Cultists on all sides tried frantically to rein in the destruction to no great effect. A secret conference of high-level Cultists, terrified that the forces of global entropy would continue to erode at their hold on power, was held at Hückeswagen Castle in 1948 to determine a new direction. Most of the minutes and paperwork was destroyed immediately afterwards, but one charred scap of paper was discoved by Hans Ufer, a local peasant:
…maintien de la stase soviéto-américaine et de planifier W.D.
28: The policy of mass slaughter having failed, it is therefore RESOLVED that the full attentions of the Organisation will be given over to maintaining the Soviet-American stasis and to plan W.D.
28: Die Politik der Massenmord…
Ufer was convinced that the documented represented a Nazi plot to continue to enact racial policies, and attempted to bring it to the attention of Der Rhein-Arbeiter, a weekly Communist newspaper. Before it was able to go to press, the newspaper’s offices were gutted in a fire. The British occupying authorities mounted a brief investigation before summarily ruling out arson.
The last direct evidence for the continued existence of the Cult came with the publication of Nixon’s White House tapes:
NIXON: Last month I had to attend another of those things, that god damn Penny Necket thing, bowing in front of the mouse and everything. It’s the faggiest damn thing. The faggiest damn thing imaginable.
HALDEMAN: It’s unavoidable.
NIXON: I don’t like it. All the judges, all the senators, kissing the feet of the mouse for five minutes and then gossiping for fifty. I don’t like to see our guys chanting in Greek with the Democrats. Who isn’t in that thing? Erlichman, surely, I don’t think I saw him. They don’t take Jews, do they?
HALDEMAN: He’s in it, up to the eyeballs. Kissinger too.
NIXON: Jesus Christ.
From these transcripts it’s evident that the rites of the Cult were no longer considered a source of power, but, as in the Middle Ages, had degenerated to the status of fraternity rituals or the cod-spirituality of institutions such as the Bohemian Grove. However, their facile nature did not prompt a purist resurgence. Why? Because by the time of the Nixon administration, the old rituals and the more recent spectacle-terrors had been replaced by something far more effective – the Plan W.D. mentioned in the Hückeswagen fragment: Disneyland.
The Cult & Walt Disney
Walter Elias Disney was born in 1901 in Chicago to a family of disappointed California gold-panners. He was a shy, serious and studious child: rarely an entertainer, he spent much of his time alone, drawing. Only a small portion of his juvenalia has been released by the Walt Disney corporation (most of which covers patriotic themes); much of the rest is kept in a locked vault in Burbank, California. The only clue as to its content was provided in a quote by an unnamed Disney employee to Los Angeles Times reporter James McDowell in 1981:
“What can I say? He was a teenager when he drew that stuff. Most of it was your usual Tijuana Bible-type material. A lot of oversized breasts and so on. Engorged penises. And a few depictions of murder victims, sometimes at the same time… there’s some unpleasant stuff, sure. But nothing all that unusual.”
In 1917 Disney joined the Holy Order of Fellow Soldiers of Jacques DeMolay, a youth Freemasonry society. The same year he dropped out of high school to fight in WWI. Being only 16, he was rejected by the United States Army, and joined the Red Cross instead, arriving in France shortly before the Armistice. Stationed at a church in Saint-Cyr-l’Ecole, a Western suburb of Paris, he was at first highly enthusiastic. However, as described in Scott Gladdy’s unauthorised 2004 biography Walt Disney: A People’s History, his attention quickly turned to other matters:
At first Walt was much like many other young Americans abroad: he was a regular both at the local taverns and the brothels that had sprung up around the military academy. By February 1919 he was almost unrecognisable. Always a staunch Protestant, Walt had taken to spending most of his day in the Église Sainte-Julitte, a nearby church, in the company of the venerable local Jesuit priest Antoine Sourisse. “He changed all of a sudden,” his comrade Roy Michaels recalled later. “He stopped drinking, stopped whoring. He stopped driving the ambulances. We all thought he’d gone queer. But it wasn’t that. All of a sudden he had this great unity of purpose. It was kinda terrifying, to tell you the truth.”
On his return from France in 1919, Disney started drawing cartoon mice.
Why did the Cult choose Walter Disney to carry out the final stage of its plan? It may have been connected with his ancestry. Walt was a distant heir of Hughes d’Isigney, a Norman nobleman who participated in William the Conqueror’s 1066 invasion of England and claimed to be able to trace his lineage to the Merovingian kings of the Franks, and through them, to Jesus Christ. While it’s impossible to say for certain that Hugues was a member of the Cult of Penew-Nekhet, there are several indications. In Disney Through the Centuries, Adriana Villalobos’s exhaustive history of the Disney family, she describes how Hughes took a ‘fanatic interest in the precise procedure in which church services in his new fiefdom were carried out,‘ and seditious rumours spread among the local peasantry of a secret idol kept concealed in the d’Isigney castle. Eventually William (who as an illegitimate child would have been denied membership in the Cult) grew wary of his vassal and lent him a few hundred soldiers for a suicidal campaign, encouraging him to invade France and reclaim his rightful crown. However, it is equally possible that when Antoine Sourisse induced the young Walt Disney into the Cult it was simply because of his skills as a draughtsman and yearning for transcendence. After all, it had to happen to somebody.
The first Mickey Mouse cartoon was released in 1928. Steamboat Willie was an enormous popular and critical success; most audiences were too focused on the short animation’s sight gags to pick up on its disturbing subtexts. Mickey Mouse is a destructive outside agent who emerges into the ordered environment of the steamboat and comprehensively reorders it according to his own schematic principle: living animals are rendered inorganic tools, turned into musical instruments, forced by Mickey to play along to a piece of music that simultaneously emerges from them and is extraneous to them. Essentially, Steamboat Willie provides a coded account of the activities of the Cult of Penew-Nekhet since the Christianisation of the Roman Empire.
The Walt Disney company’s growing successes coincided with a sudden paranoia on the part of its namesake. Disney believed that many of his lower-level animators were Communist infiltrators; at times he believed himself to be the last bulwark against a Communist tide taking over Hollywood. As his delusions grew, so did his dream of Disneyland. As his friend and animator Ward Kimball recalled:
Walt was always deadly serious about Disneyland, far more so than any of the movies, even though they were raking in so much money. He insisted on planning every last detail. He was seriously fanatic about it… one time he said to me, this isn’t just a holiday park. This is something that’s gonna change the world. He was always talking about how Disneyland was going to beat the Reds and bring in a new age. Frankly, none of us had a clue what he was talking about.
Ground was broken on what would become the Disneyland site – a placid field of walnut trees in Orange County – in 1954. The entire project took only one year to complete; it was opened with a televised fanfare. Few at the time recognised Disneyland for what it was. Disneyland was never an interactive ‘park’ in which visitors were free to view the attractions at their own pace, but a show as tightly choreographed as any film. All the rides progress in a strictly linear fashion; the banter of the entertainers is entirely scripted; if you drop a piece of litter in the park an appropriately dressed actor (smocks for Fantasyland, jumpsuits for Tomorrowland) will appear from a hidden doorway and silently tidy it away. The guests are forbidden from reinscribing anything onto the text of Disneyland. In fact, the park is constructed in such a way that any deviation from the correct order of things is punished instantly – dozens of visitors who committed the sin of jumping out of cars on rides or trying to cross the lines between the Disneyland simulation and the vast ‘backstage’ areas have been crushed to death by various pieces of machinery. To survive, guests must be entirely passive. Their responses to the park are, at every moment, utterly controlled.
Disneyland is the ritual of the Cult of Penew-Nekhet on a grand, industrial scale.
The truth: Nazi rockets and tellurian dragons
In all this several questions remain unanswered. Why did the nomes of Egypt supplement their public religious devotions with another, secretive faith? Why did the Cult of Penew-Nekhet survive from the second millennium BCE to the present day, when so many other mystery religions faded away? What interest would a four thousand-year-old cult have in building an amusement park? And why build that park in Orange County, home of the US weapons industry?
Essentially, the central question is this: does Penew-Nekhet actually exist?
One of the chief engineers in the Disneyland project was the German rocket physicist Wernher von Braun (shown above with Walt Disney). Responsible for designing the Nazi V-2 rockets that were launched at the United Kingdom during the final stages of World War II, von Braum was brought to America in June 1945 as part of Operation Paperclip, the then-top secret relocation of Nazi scientists to the United States to work on missile programmes targeted at the Soviet Union. As well as being a gifted scientist von Braum was also a devoted mystic: under his leadership, research at the Heeresversuchsanstalt Peenemünde was carried out not only into guidance and propulsion systems for flying bombs but into the potential for the weaponisation of the occult. As well as séances and rituals carried out in Greek and Egyptian, captured French resistance fighters made to perform slave labour at the site’s factories claimed that the HVP team performed child sacrifices. In particular, von Braum was fascinated by the interior of the Earth, telling his friend and deputy Walter Thiel that ‘the quest for outer space and the quest for the subterranean world is one and the same thing.’ Like many Nazi occultists, von Braum believed there was life below the Earth’s crust; however, he did not ascribe to the hollow-earth theories popular at the time which held that the planet contains within it the mystical land of Hyperborea from which the Aryan races originate. Instead, he believed the chthonic world to be as profoundly un-human as the black reaches of space.
Among von Braum’s most prized possessions was a copy of De Interioribus Terrae, a short text by the 16th century mathematician, occultist, and early disciple of Luther’s reformed Penew-Nekhet Cult John Dee. After a discussion of the mystical nature of soil and its Demiurgean power to create life, Dee turns his attention to the centre of the Earth:
While no man of Faith can reason against the reality of Hell, it is evident to all learned Men that Hell does not exist below the Ground, no more than Heaven is to be found among the Clouds, and yet, as is well known, below the Soil there lies a great Heat, and a great Fire, as it is said in the Bible: where the Worm dieth not, and the Fire is not quenched. And indeed the Book is forever unerring, for in this Fire lives the Worm, called also Dragon, formed in delicate Crystal from solid Phlogiston, who with a noble Sweep of his Tail does traverse the Fire below our Seas faster than any Merchant-Ship, and who, far from being consigned to the Pit, is a Creature of Grace, and as Fire to Air or Mercury to Saturn, takes his Place as a Consort to the Angels.
Could this worm exist? Recent geophysical surveys (often suppressed by the government agencies and universities funding them) utilising sophisticated equipment such as the European Synchrotron Radiation Facility have detected fluxes and eddies in the Earth’s magma that are inconsistent with all known models of fluid dynamics, but that are explainable through the presence of large mobile organisms living within the mantle. The presence of life under the crust is not as implausible as it may seem: the mantle is home to untold billions of extremophile bacteria consuming nutrients dissolved in the molten rock. The liquid core of the Earth constitutes over 99% of its volume and much of it is entirely unknown to science; however it is possible to posit with some confidence that the tellurian dragons would have to be very large to survive in the heat of the mantle and to create the fluctuations observed by the ESRF – up to eight miles in length. Without any oxygen, their metabolism would function in a vastly different manner from that of life on the surface; they would certainly be silicon- rather than carbon-based. They would also be largely solitudinous, looping slowly around the Earth’s core in mournful sequestration – given the relative poverty of the subterranean ecosystem, it’s unlikely that a population of more than a hundred thousand could be supported. And given the great age of the Earth’s interior, it is entirely possible that at some point in their billions of years of evolution, the tellurian dragons attained sentience.
In almost all cultures there exist myths of giant worms or dragons, who are generally believed to breathe or in some other way be associated with fire. In ancient Egypt this place was taken by Penewap, a god of the underworld (and, more generally, of death and evil) represented as an enormous serpent. This was not his only form, however; Penewap was also believed to come to the earth’s surface to wreak havoc in the form of the mouse – the morphological similarities between penew and penewap hardly need mentioning. Could it be that the cultists of Penew-Nekhet, so obsessed with obscurity and representation, used the image of the mouse to disguise the true object of their worship?
If the Cult had a Secret that it guarded throughout its four-thousand year existence, it can only be that of how to communicate with – and control – Penew-Nekhet or the tellurian dragons. If contact were to take place, the cultists would find in their hands a weapon of unimaginable power. The dragons could obliterate any enemy: burst the ground from under their feet, send their cities tumbling into the abyss, immolate their armies with molten fire. Given their ability to churn the molten rock of the Earth’s core, they may even be able to affect the planet’s magnetic field, leaving a specific area vulnerable to a cascade of destructive cosmic radiation. Or, perhaps, our magnetic field could even be redirected, used to assault other planets in the solar system or beyond.
Given the ubiquity of dragon-myths across the planet, it is certain that the subterranean worms have, accidentally or not, forced their way into our world. It is not inconceivable that the parting of the Red Sea, the volcanic eruption that obliterated Minoan civilisation, and perhaps even the calamitous 1755 Lisbon earthquake were all precipitated by the Cult of Penew-Nekhet through its various attempts to gain the attention of tellurian monsters. But how can such communication be established? John Dee wrote:
The Worm hears no Prayer, though many who call themselves Witch or Sorcerer have offered up Entreaties to him, rather he understands the Language of all celestial Beings, that is, the Language of Mathematics, the Language of the Imagination, and the Language of Sympathy.
In all the permutations of the Cult’s rites, from private rituals to religious services to orgies of bloodshed to Disneyland, imagination and sympathy – or the emotive – have always been central; and these are precisely the qualities to which the dragons respond. The Cult has always attempted to form concentrated loci of high emotion. In much of its documented history this emotion was sorrow, terror, or abasement, but often accompanied by joy – the redemption of Communion, the cathartic bliss following the grain-burning. Conceivably it is the swing between two extreme emotional states that is most effective: witness the joy of the children as they enter the rides, and their fury as they are dragged away. The fact that Disneyland is aimed at children is significant: children experience emotional states far more intensely than adults; as such they are ideal vehicles for communicating with the worms. Like children, the dragons do not respond to erotic energy (they may reproduce asexually): this is why sexual or orgiastic cults from that of Dionysus to Crowley’s Satanism have sprung up and faded away in succession. To communicate with the dragons requires the assumption of a mindset that is entirely other and wholly unhuman – hence the austerity of the early rites, and the perverse hermaphrodite wholesomeness of Disneyland, filled with monstrous animal-headed figures.
At the same time though, the dragons, who with their cold silicon sentience can imagine no world other than that which they inhabit, are enormously responsive to the human power for imagination, fantasy, and deceit. The rites of the Penew-Nekhet Cult have throughout their history been based heavily on the projection of a hyperreality. The fascination with symbolism and the representative was not just a mechanism for maintaining secrecy: the Greek Cultists really believed that they had been transformed into peasants during the grain-burning rituals; the visitors to Disneyland are invited to really believe that they are in the presence of Mickey Mouse. The map becomes the territory – by imagining another reality, the Cult affects concrete change to this one.
What is Disneyland? Disnyland is a vast machine for the weaving of fiction and the production of human emotion. It was built away from Hollywood because it was never really part of the entertainment industry. It was always a weapon. It is the weapon. It is a signal-beacon for the underground monsters. They swarm there now, miles underneath southern California (perhaps accounting for the frequent seismological activity there), waiting for the Cult to give them their orders. Now it remains only for the Disneyland weapon to be used.
I have recorded the truth. Not in its entirety. My account is, of course, an unacceptably Eurocentric one: it would be absurd to assume that some form of the Penew-Nekhet cult has not developed in China (the fact that the Hong Kong Disneyland is, uniquely, owned by a Chinese corporation and licensed from Disney may well be significant) and the mass human sacrifices in the Aztec Empire have the faint odour of the cult about them. I’ve not been able to work out the exact nature of the cult’s Plan – they have, after all, already been in effective control of the world at several points in history. Perhaps the Disneyland weapon is not meant for use on Earth at all; perhaps the cult is about to drag us, unknowing, into an interplanetary war. But what I’ve written will have to do. I don’t know what’s going to happen to me now. The cult of Penew-Nekhet has guarded its secrets for four thousand years; it has in the past carried out acts of horrific violence to further its aims. It doesn’t matter. The truth is more important.
My hands have stopped shaking.