OVERTURE: A symphony in three movements for orchestra, piano, articulated lorry, stock ticker, and tear gas canister.
SCENE ONE: We are in Venice, at the start of the eighteenth century. Doge MARIO MONTI (tenor) sings the aria Siamo tutti fottuti from the balcony of his palace, in which he explains to the people of the city that a strange beast called il Mercato is stalking the streets and canals of the city at night, killing animals and destroying produce. The beast, which has ‘eyes that dance with the spark of lightning and claws with the chill of ice,’ has been sent to punish the Venetians for their profligacy and excess. Monti reveals that only he has the power to rein in the beast’s destruction, and claims that its wrath may be stilled if one child is drowned in the Grand Canal every week. He then announces that despite the beast’s reign of terror, the annual masquerade carnival will go ahead as planned. Inside his palace, Monti sings a duet with his lover, Donna ANGELA MERKEL (soprano). He assures her that their plan will succeed; she complains that his skin feels like old parchment and his breath smells like a cauliflower fart in a crypt, and notes with alarm that he sometimes licks his eyes like a lizard when he thinks she’s not watching.
SCENE TWO: The disgraced nobleman DON BERLUSCONI (baritone), our hero, reclines in the Palazzo Bunga-Bunga surrounded by North African prostitutes. He sings the aria Io scopare tutto ciò che si muove, lamenting his fall from power at the hands of Merkel and the court case brought against him by Monti. He vows to his manservant, ROBERTO MARONI (bass), that he will have his revenge against those who wronged him. Maroni suggests that they try to embarrass the Doge at the masquerade. He then sings Quest’uomo è un idiota, a mournful reflection on the frailty of man.
SCENE THREE: In a town square, DON BERSANI (countertenor) sings Il centrosinistra è politicamente praticabile, but nobody cares, and the audience is distracted by a juggler who comes onto the stage and performs a few basic tricks. The famous drunk BEPPE GRILLO (baritone) criticises Monti’s decision to start drowning children and vows to overthrow him. A CHORUS of citizens sing their support. Don Berlusconi watches from a window, and reflects that he could use Grillo’s popularity to engineer his revenge.
INTERLUDE: Twenty fascist football hooligans beat the shit out of an oboe.
SCENE ONE: The day of the masquerade has dawned and Grillo is addressing a crowd. Watching him from a window, Don Berlusconi realises that he has fallen in love. He sings the aria Seriamente, qualsiasi cosa con le tette, in which he recounts his past romantic conquests and reminisces fondly over his simple past ‘when I had nothing but a media empire, an advertising company, and a construction firm.’ Across the street, Don Bersani has also fallen in love with Grillo. He and Don Berlusconi sing a duet in which each tries to prove his worthiness as a suitor, unaware that the object of their affections already left some time ago.
SCENE TWO: In a nearby tavern, Grillo reveals his plan to overthrow the Doge. He will attend the masquerade disguised as Don Bersani, who will not be attending because ‘that baldie loser hates parties.’ To prevent the suspicion Grillo’s absence would arouse, one of his followers will go dressed as him. As Monti must mingle without his bodyguards during the masquerade, he will then take the opportunity to challenge him to a duel. In the same tavern, Don Berlusconi discusses his plan to reclaim power and win Grillo’s heart, telling Meroni that he will do this by going to the masquerade dressed as a sexy nurse.
SCENE THREE: The masquerade begins. Doge Monti inaugurates the ball by singing the aria Più soldi più problemi and then by slow-dancing with Donna Merkel, to the disgust of all present. A visibly coked-up Don Berlusconi tries to seduce the man disguised as Grillo by singing Sono un ragazzo divertente, vero? to him; however, he is rejected. He then sees Grillo, dressed as Don Bersani, conferring with his follower. Assuming that his rival is making a similar attempt, he becomes inflamed with jealousy and draws his sword. The two fight. In the panic that follows, Don Berlusconi is killed by Grillo, who is dressed as Don Bersani; Grillo is killed by Maroni; and Doge Monti is killed by Don Bersani, who has attended the masquerade after all and is dressed as SpongeBob SquarePants. After the tumult of battle has cleared, only one man remains.
INTERLUDE: An old woman complains about how there’s never anything good on TV.
SCENE ONE: The only survivor of the masquerade, still in his mask, proclaims himself Doge. He explains that the beast il Mercato was invented by Monti to control the people and that the citizens of the city are finally safe. Near the end of his aria E ‘tempo di formare una coalizione ragionevole, just as he prepares to reveal his identity, the monster bursts onto the stage, kills him, eats half the audience, privatises the opera house, and sells it to a real-estate developer to be turned into a branch of Pizza Hut.